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Like all releases from The Copyrights this one is better than
the last. Not many bands can continually improve from release to release -
it's no easy task, especially considering the Copyrights have never put out
a record that was anything less than awesome. Whereas their debut album
We Didn't Come Here to Die was pretty much the epitome of a perfect pop
punk album, Mutiny Pop is a perfect punk rock album. Pop punk is
definitely still rooted deep in the music of The Copyrights, but with
Mutiny Pop they have broken the mold and become something different,
something new, something more. One of the biggest factors that separates The
Copyrights from other pop punk bands is the quality of the song writing.
There are three different writers in this band and they each bring their own
special something to the album. You've got the hometown kid, the undercover
lover and the young professional. The three come together to paint a picture
about what it's really like to be a twenty-something working-class anybody
coming up and trudging on in the "real world". Set to the tune of 3 drums,
16 strings, 4 mouths, 4 brains, 3 mics, 12 speakers, 4 tempers and 4 middle
fingers, this truly is a perfect album. |